Tag Archives: Calton Hill

Robert Burns

I’m now offering a Robert Burns poetry walk, as well as a illustrated talk about Burns and Edinburgh.

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Robert Burns by John Tweed

Burns visited Edinburgh twice – first from late November 1786 to early May 1787, and again from mid-October 1787 to mid-February 1788 – and there are many sites on or near the Royal Mile with Burns connections.

In the Canongate Kirkyard is the grave of the poet Robert Fergusson, which Burns commissioned; and that of Nancy McLehose, Burns’ ‘Clarinda’, who he met and fell in love with in Edinburgh, and corresponded with for several years.

His memorial, on the side of Calton Hill, can be seen from the kirkyard, while lower down is Graham Fagen’s work in neon, ‘A Drama in time’ (2016), “centred on the story of the Roselle, a ship that sailed from the Port of Leith to Kingston, Jamaica in 1786. Robert Burns had booked a passage on the boat, but never sailed.”

For more details see Walks and Talks, or get in touch.

Edina Europa: after the Fringe

These are a few photos from the Edina Europa poetry walks, which took place during the Edinburgh Fringe Festival last month. They were taken by Alison Lloyd; my thanks to her for letting me use them here.

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In the Canongate Kirkyard, looking towards the Nelson Monument on Calton Hill and the Old Royal High School.

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At the grave of Johann Friedrich Lampe (1703–1751), a composer and bassonist who came to Edinburgh in 1750 to play at the recently opened Canongate Playhouse. I read from Robert Fergusson’s poem, ‘On the Canongate Playhouse in Ruins’, written after the theatre closed in 1769, and which includes the lines evoking the sounds of the playhouse:

Here shepherds, lolling in their woven bowers,
In dull recitativo often sung
Their loves, accompanied with clangour strong
From horns, from trumpets, clarinets, bassoons;
From violinos sharp, or droning bass,
Or the brisk tinkling of a harpsichord.

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Reading from Burns, with the Burns Monument emerging from the trees in the background.

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Reading another Burns poem at the grave of Adam Smith.

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Taking advantage of having the poet on hand, I asked Angus Reid to read his ‘split sonnet’ about the Scottish parliament building, dedicated to Donald Dewar and beginning with the question:

And with what sign should     the gathering place
be shown…

Thanks to everyone who came on the walks – it was as ever a pleasure to share the poems with you, and the unfolding conversations.